Sunday, July 26, 2009

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The Presence of World Culture, starting in East Oakland

There's a something culturally afoot in Oakland and it promises to shake, rattle and roll you. Let's take a quick tour.

Shake: Corazón del Pueblo, literally "Heart of the People," is a locally owned store whose nondescript status ends at the sidewalk.

Corazón del Pueblo is a sanctuary of art and culture. Corazón offers fine art, handmade jewelry, huipiles (hand-embroidered Mayan blouses) and ceramics and books from Latin America. Corazón also has an incredible gallery space in the rear that has showcased local Chicano, Latino and Indigenous painters and cultural shows and performances.

Corazón del Pueblo is the place to hang out, buy gifts for your loved ones or for yourself and talk with the owner Josefina Lopez about what’s happening in the neighborhood. Afterwards, treat yourself to a delicious meal at any of the local restaurants or taco trucks featuring Mexican cuisine.

Visit Corazón del Pueblo, located at 4814 International Boulevard, in the heart of east Oakland.

Rattle: On any given night, the EastSide Cultural Center, at 2277 International Boulevard, is featuring world class acts of poetry, music and art.

EastSide Cultural Center is the place where you can listen to David Murray blowing wildly on his saxophones or the international tour de force, Amiri Baraka, reading his poems for a different more just, peaceful world living in color.

Every Thursday night, EastSide Cultural Center busts open its doors and turns on its microphones to broadcast the voices and words local and featured writers, slammers performers, musicians and poets sharing their stories and craft.

EastSide features documentaries and films that hold back their political punches on Friday nights. The EastSide Cultural Center also offers on-going workshops on hip-hop, art and writing. There's always great photography and paintings exhibited on their walls, too.

Roll: Let's roll! From east to west, north to south, Oakland’s artists, poets, writers and musicians are changing the colors, imagination and sounds of our communities. Without the work and vision of cultural workers in Oakland, our neighborhoods would be less livable, less vibrant.

Shake, rattle or roll – Oakland is teeming with a dynamic art and cultural movement that is creating the new there here in Oakland!

Sunday, April 26, 2009

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Joan Miro: Painting and Anti-Painting 1927-1937 Joan Miro: Painting and Anti-Painting 1927-1937 by Jim Coddington


My review


rating: 5 of 5 stars
Joan Miro undoubtedly changed painting. He re-visualized space for us, recombining colors and non-colors, adding matter to the surface, add contorsion and torsion, with grace and a new aesthetics. I am not familiar enough with the timelines of development in painting. In any case Joan Miro reinterpreted and "assassinated" illusion, perspective, central image, re-shaped the relationship between viewer and canvass or surface of the artwork in a way that predates Picasso. (Picasso in the last years of his life interpreted "Las Meninas" (by Velazquez?) in his signature style.) But Picasso like Miro re-interpreted generations of virtuoso painters before him to create their own masterpieces.



Miro worked on this for a decade, creating his "anti-painting," to develop, gestate his signature in artwork, covered by this awesome book, Joan Miro: Painting and Anti-Painting 1927-1937. For painting or any other cultural (or even political) work to have depth and sustainability, the artist has to cast or grow profound roots in his ancestors and predecessors with and through his contemporaries and community.



Miro did not set out to re-interpret past generations' artwork, he set out to supercede them, destroy them or at least put them in their place, their historic place. In the process he has become our target and mountain to climb or flatten, the challenge that won't go away.



Miro, along with his contemporaries, re-figured art to the point of animation, to such a high level of synthesis and abstraction that meaning and details have gone deep and wide. Artists and designers, consciously and indirectly have benefited from their revolution. Through countless paintings and abstraction, now we can collectively "see" in different modes. For example, cartoons and animation seem to be the offspring of Miro (and Picasso) style painters.



I don't know if Joan Miro: Painting and Anti-Painting 1927-1937 is a must read. Everything around us vies against reading, much less learning such detailed history, the socio-economic system has revolutionized the absorption of culture, as well as its debasement and destruction -- or at least invisibilization through different modes of privatization and commodification -- so that consciousness, knowledge at a new level, practical and utopian are not your daily meal. But reading Miro, visually always, in text and in color, is a must for a new way of seeing this old world that conspires in every way against art and the artist in you.


View all my reviews.

Friday, February 13, 2009

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Driving from East to West Oakland
to See Our Walls Speak (part 1)


One Sunday a week after the BART police killing of Oscar Grant III I took a drive from Oakland's eastern edge with San Leandro, driving down Foothill and then turning right on 103rd or so and driving west on East 14th, aka International Boulevard, all the way to West Oakland, to drive a bit on Mandela Parkway and the surrounding neighborhoods.

I took photographs of murals, graffitti and other commercial and non-commercial art on walls and in windows.

This is the visual record of that Sunday morning driving east to west with a beautiful sun shining on our tragedies and daily tribulations of work, family, community and survival.

There is a battle between art, graffitti, tagging and commercial art, decorative art that advertizes. The contradictions abound.

Our walls speak whoever writes or paints on them. Like the mural above, tagged with some "consideration," that is making the tag almost a part of the mural, blending it like streaks in her hair? A second tagger or color however disrupts and mars whatever was friendly in the first tag.

What does this mural depict? This is the legendary myth of Popocateptl, "the smoking mountain" (the "warrior" on the right) and Cicihuatl Chicihuatl Itzaccihuatl, the sleeping mountain (I can't remember the spelling right now, I'll correct it later!).

This is the personification of two volcanoes that are in the Valley of Mexico and have been depicted as a Aztec warrior watching over his "sleeping beauty." This is the eurocentri interpretation. This myth is painted and protrayed everywhere, from restaurant and grocery store calendars given out free every new year to countless those paimted by anonymous community muralists on public and private walls in the Southwest, in Mexico and other parts of the Mexican-friendly world.

Here's a close-up
The figures do not look "Indian" -- although undoubtedly there are Mexican indians that can pass and are off-spring of Europeans who forced themselves on Indian women, some inter-married, many didn't.

Popocatepetl continues rumbling and is linked up and down the Pacific rim of the Americas with what's known as "the ring of fire" -- active volcanoes, the last major eruption was back in May of 1980 when Mt. St. Helens blew up. Now there's a volcanoe in Alaska spewing and melting a glacier in the process. Global climatic change at home.

With this new knowldege, then the myth of Popocatepetl and Iztaccihuatl takes on a different story. When sleeping beauty wakes up she's gonna make us pay!

Here's another close-up of the mural:
Here a tagger placed his/her spray on his leg, a clumsy attempt at blending or just plain defacement, as the artists or painters of this work would not-so-gently or nicely say.

I kept driving east, sometimes dangerously, as I pointed my camera in the direction of art on the buildings along East 14th/International Boulevard.















More art on the walls, of varying quality and skill:

I messed this shot up because I didn't pay attention to the stop sign's shadow over the portrayal of the girls playing jump rope.











Here's a mural at the East Oakland Youth Development Center wall, on 82nd and East 14th.

All these shots were taken while driving.









Further down East 14th:
She was a beautiful apparition from Michoacan or Africa.











This is a student mural done by students at Melrose Leadership academy, defaced by taggers and then the tagging was painted over. This mural is particuarly significant because MLA students organized a protest demanding a traffic light for community safety. MLA students did an action, taking over the street, creating a human chain and stopped traffic. And they got a traffic light installed! This happened about 2002?















Mural on the two floor facade of the Catholic Worker building:


This mural depicts Latin American heroes, Che, Bishop Romero of El Salvador and others.











Here's a blend of commercial and cultural mural on the facade of the Corazon del Pueblo:

This is a much better version of Latin Americanist Indigenist-oriented mural theme, which inspires Chicano mural painters and others, and has its long roots in the Popocatepetl/Iztaccihuatly theme and imagery.

The mural atop Corazon del Pueblo is developed and stylistically speaking in quite great form.

Corazon del Pueblo us my type of shop, it has Chicano/Mexicano "kitsch" and fine art, including music CDs, postcards, earrings and other jewelry, ceramic pottery, Virgen de Guadalupe and Frida Khalo pseudo-devotional art that I love to hang on my doorways and walls, huipiles, guayabaeras and posters of Mexican revolutionary icons and lots of knick-knacks for all occasions ! And on top of all this, Corazon del Pueblo truly is a cultural center, with a back room, a speakeasy of a new type, where the owner opens to community meetings, mounts fine art shows and allows many of us to put on poetry readings, musical offerings and other cultural activities inside and in front of her store.

Thursday, January 22, 2009

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Sign
OPEN LETTER
To President Barack Obama

Visit

You are invited to sign the National Network for Immigrant and Refugee Rights "Open Letter to President Barack Obama," which calls on his Administration to end immigration raids and suspend all detentions and deportations as the first step to restoring due process rights and implementing humanitarian policies, measures and practices in the treatment of all immigrants.

To read or sign the letter, please visit www.nnirr.org

Thanks!

Friday, January 16, 2009

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Three Poets, Four Poems for Gaza


Note from Arnoldo Garcia, EL FEO: These poems were sent to me by Miriam Ching Yoon Louie, author of Sweatshop Warriors and co-author with Beth Ching and myself, Arnoldo Garcia, of XicKorea: poems rants words together.

These four poems denounce the Israeli war against Palestinians and Palestine in Gaza. There are two poems by Suheir Hammad, noted Palestinian poet; one by Miriam Ching Yoon Louie and Janine Mogannam.

Why must these poems be written, read, disseminated, memorized, exchanged, lived? Israel launched a military invasion of the Gaza Strip on December 27, 2008, a seige that continues to this date and with no end in sight. Over 1,000 Palestinians have been killed (a third or more of the casualties are women and children) and thousands more wounded, maimed and traumatized. Israeli F-16 jets are bombing Gaza cities and towns into rubble, tanks and soldiers follow with shells, mortar fire and weapons firing against the people, whether they are in mosques, schools, homes, apartments, U.N. buildings and schools. Israel is carrying out a massacre, with the deliberate intention of a holocaust. The carnage must stop; Israel must be disarmed and driven back, driven out. Gaza must live.

Here are three poets aiming their words, their only weapons, for peace, justice, for those who have been buried and are dying in Gaza under the rubble of Israel. What will last longer? The Israeli siege and destruction of Gaza? Palestine? These poems? Who will remember forever, who try to forget today the Israeli killings? If Gaza is destroyed, I will rename Oakland, Gaza. I will name my home Gaza, my mourning, my happiness, my migrancies, my displacements, my love, my tenderness -- all Gaza.

*}*{*

Miriam Ching Yoon Louie

GazaNam

White phosphorous means
Napalm means VietGaza means
Child aflame run Korea

Survive Holocaust/ how
Collective hungerment/ can you
Smell charred flesh again?

Scorched root still grows
Bay night luminous with kaffiyah moms
Hoarse chanting babies

Eyelash boys beat buk thunder
Drum witness big bros rippling Leila
Wings from bus shelter roofs

Red black green white prayer
Cape catches my drumstick—kung!
End—the occupation

Now—a lil bit louder
Stop—the genocide
Free—free Palestine!

Hope pray hope
March hope please hope means
Stop burning children want peace.

*}*{*

Suheir Hammad


gaza

a great miracle happened here
a festival of lights
a casting of lead upon children
an army feasting on epiphany

i know nothing under the sun over the wall no one mentions
some must die wrapped in floral petroleum blanket
no coverage

i have come to every day armageddon
a ladder left unattended
six candles burn down a house
a horse tied to smoke
some must die to send a signal

flat line scream live stream river a memory longer than life spans
the living want to die in their country

no open doors no open seas no open
hands full of heart five daughters wrapped in white

each day jihad
each day faith over fear
each day a mirror of fire
the living want to die with their families

the girl loses limbs her brother gathers arms
some must die for not dying

children on hospital floor mother beside
them the father in shock this is my family
i have failed them this is my family i did
not raise their heads i have buried them
my family what will i do now my family is bread
one fish one people cut into pieces

there is a thirst thefts life
there is a hunger a winter within winter

some must die to bring salvation
i have come to end times always present

the woman lost parents her children and screams
my sister i have lost my sister i want to die
my sister’s eyes were honey her voice mine
i can’t face this only god only god my sister

medics killed schools hit convoys bombed
the injured are dying the dead are buried in three
hours the people pray together and curse the people
mourn loud and quiet always too loud not enough

some must die because they are the vicinity
some must die because it was written

no army does not apologize has never
apologized authority chases paper assembly
occupation settles deeper

a great miracle here
the living are dying and the dying living

a festival of lights
a strip a land a blaze
the sea a mirror of fire

a casting of lead upon children
their heads roll off their shoulders into streets
their tops spin in hands

an army feasting on epiphany
driving future into history
carrying torches into women


*}*{*

Janine Mogannam

for gaza

ya allah what
is there is anything
left

allahuakbar

scream cold into cobalt darkness
frigid breath cannot temper
the fury of earth betrayed
ablaze her children only human
orphaned to her now

land of ghosts hollow
cost of growing up cactus
fruit people knew
what the war
saw replanted advantage over
wheat and olive
people always without

i know that cool midnight
sky navy royal
purple alight by
stars struck the gash
of rockets mortar fire
and brimstone paradise
lost children and limbs
reaching for home phantom
fragment gory spilling
insides endless vultures
circling for the kill

the city
in shambles city
of the dead gaza
a graveyard tumbled
walls are tombstones
marking graves anonymous
babies mothers scream
into the sunlight i
can't believe
in the sky anymore

but the light
persists waiting to be
found the sun
still rises in gaza nablus jenin
haifa ramallah bethlehem points
in between stars
still twinkle unknown
signs in three
languages point nowhere
into the trees or into
the sea the river rebirth
its children false witness
history rewritten
so that every town bears
a different name
a different scar slashed
swift and sweet into
the skin of this land

bring me to her break
my heart in two
bury it half
here half within me
so i always feel
her pain always
remember fortune born
on the right end
of the flat earth
as i return
in my mind faces
at qalandia expressions
cannot be translated
into words eyes
wide as the moon or
fallen trees lips parched
feet cracked and
aching to return
to remain
still and i am speechless
with sorrow with guilt pushing
away the sesame jerusalem loaves
warming my lap there is
no bread enough
to feed those eyes
those feet these memories
these horrors push
bodies push away my hand my chair
away from the table the television terror
i remember i cannot DO anything
push away palestine push

make use
shoot
my arrow at the stars
make light rain onto her
rebuild
take the pebbles splinters
shrapnel (once home)
mix with water
mix with blood mix
until hands are crimson
and raw as hearts as insides
laid bare and open flesh
wounded against rocks feeding
the soil
the rage feeding
another day
rebuild
rebuild

*}*{*

Suheir Hammad

jabaliya

a woman wears a bell carries a light calls searches
through madness of deir yessin calls for rafah for bread
orange peel under nails blue glass under feet gathers
children in zeitoun sitting with dead mothers she unearths
tunnels and buries sun onto trauma a score and a day rings
a bell she is dizzy more than yesterday less than
tomorrow a zig zag back dawaiyma back humming suba

back shatilla back ramleh back jenin back il khalil back il quds
all of it all underground in ancestral chests she rings
a bell promising something she can’t see faith is that
faith is this all over the land under the belly
of wind she perfumed the love of a burning sea

concentrating refugee camp
crescent targeted red

a girl’s charred cold face dog eaten body
angels rounded into lock down shelled injured shock

weapons for advancing armies clearing forests sprayed onto a city
o sage tree human skin contact explosion these are our children

she chimes through nablus back yaffa backs shot under
spotlight phosphorous murdered libeled public relations

public

relation

a bell fired in jericho rings through blasted windows a woman
carries bones in bags under eyes disbelieving becoming
numb dumbed by numbers front and back gaza onto gaza
for gaza am sorry gaza am sorry she sings for the whole
powerless world her notes pitch perfect the bell a death toll

*}*{*

Thursday, January 08, 2009

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We are all Oscar Grant! ……………&, BTW, can we please not vilify the vandals?

My thoughts on today’s protest, while they are fresh…

11pm, January 7

By Rise Up [continues below]

NOTE FROM THE EDITOR:
Here are a couple of posts written on the evening of the January 7 gathering at Oakland's Fruitvale BART Station to protest the BART police shooting and killing of Oscar Grant, which turned into a confrontation with the Oakland police. Oscar Grant was killed on New Year's Day at the Fruitvale station and was videotaped by various passengers who were on the stopped train as the BART police were handcuffing several young men involved in a fracas. Oscar Grant was on the ground face-down with three police officers on top of him, when one of them stood up, unholstered his gun and shot him in the back.

See the video documenting the police shooting Oscar Grant at:
http://www.youtube.com/watch?v=IAHjhtYZpX0

Read a report by Davey D:
http://www.sfbayview.com/2009/did-bart-cop-who-killed-oscar-grant-mistake-gun-for-taser/

*

We are all Oscar Grant! ……………&, BTW, can we please not vilify the vandals?
My thoughts on today’s protest, while they are fresh…

11pm, January 7

By Rise Up

So, wow. I’m listening to the ghetto birds still outside my Oakland apartment while I listen to them on the live news at the same time. I’m nursing the blister I got marching and running around 5 or so miles. I’m charging my phone ‘cause I over texted with people coming to or worrying about the protest or trying to decide what to do next at the protest.


At 11pm, they started to make mass arrests. Before that, there were 14 adults and 1 juvenile arrested. Supposedly, someone is being charged with “assaulting an officer” tho the news reports no officers were hurt. Half of us stayed at the BART station and half of us marched, putting 500 or so people in each place at some point in the evening by my estimation and the estimations of my friends.

A cop car got jumped on and its windows broke and some folks tried to flip it. Some dumpsters and garbage cans caught on fire. Later, some restaurant windows were broken and a few people’s cars were smashed up and burned. Here’s some video: KTVU Video of cop car getting tore up http://www.ktvu.com/video/18435145/index.html

After the window of the MacDonald’s on 14th & Jackson got broken, Mayor Ron Dellums, Black man and old school activist turned politician, came to that spot to try to talk to the protesters and calm them down. That was actually a pretty smooth move for a mayor I must say. Alas, after a few handfuls of folks listened to him and followed him like the Pied Piper back to City Hall, they decided that his words were not so consoling, booed him, and went on to tear up Oakland some more…

But, back to the beginning……
I loved the people who showed up! We were so diverse and beautiful, and all of us there, UNITED against that police murder, all of us, regardless of background, really angry and fed up with the mistreatment of black (and brown) people by the police from our different perspectives on that.

I loved the connections drawn between Gaza and Oakland. I loved that we were reminded that the Black Panthers started as a self-defense group against the police. I loved the young people and I loved all the heart and heat from the stage. I loved the sign that said “fuck the police, no army in the streets!” I loved the defiance of people lying in the streets on their bellies as if hog tied in front of the cops and telling them to shoot. I loved the fearless emotions cutting loose, and I loved it when we all chanted, “We are all Oscar Grant!” every time the police tried to face us down in the street. “Whose Streets? Our Streets! No Justice, No Peace!”

The news from 9pm or so kept saying that the protest was so dispersed and disorganized that the cops were struggling to contain it. For hours, in fact, the police really could NOT contain it. I have to admit how much I love that. I mean, it’s not really an end point or anything, but it’s so empowering for us to see some of the possibilities! “Ain’t no power like the power of the people and the power of the people don’t stop!” Here’s to a lack of organizing or whatever you call that!

There was a little internal conflict over whether we should have marched. That’s too bad since we really need all kinds of protest. I was personally not sure which group to hang out with. In the end, I marched.

Already on the news they found someone to say that it was “the anarchists” who weren’t part of organizing the protest who were responsible for both the march and for the bulk of the “violence”. But by now we expect this, no? I assure you, both groups were diverse in the end.

So we did this beautiful thing today and the unity was deep and it really had a feeling, like someone said from the stage earlier in the day, that we were at the beginning of something new, or something renewed, like the next round of a serious civil rights movement. And really, to me, this is what will “fix” it more than anything very immediate, like $25mil, or jail time for that cop. Those things should happen too, of course, but we need some very serious and deep ass change and that’s gonna start with movements of people, if you ask me, not with electing Black poster boys for president or putting bandaids on things. I have to say again, tho, how we were really diverse. I think that this will be a marker of the difference between the 60’s & 70’s and “the next movement”, whenever it is we feel able to claim that title.

But I left when folks started messin’ with people’s personal property. Well, actually, my cell battery ran out and I lost my folks so there was no one I knew havin’ my back, plus that blister on my heel was starting to get to me and I was starving and I really had to use the bathroom… but I still, I left because I didn’t really wanna be a part of attacking other peoples personal stuff or even messing with small businesses.

OK. So, someone might assume that I wanna call those people crazy, and certainly the media is going to tear into them a lot; someone will press charges, and someone will discredit the whole action due to the fact that some people expressed their rage more carelessly than others. Even parts of the left are gonna be really mad at those folks, I know.

But does anyone remember Reginald Denny? Wikipedia on Reginald Denny [ http://en.wikipedia.org/wiki/Reginald_Oliver_Denny ] Well one of the people whose car got burned has already said on the news – an elderly white man – while he is upset about his car, he is really upset about Oscar Grant being murdered and understands.

It’s controversial among the people who were at the march and sparked discussions about what kinds of property destruction is ok and what kinds are not.

I want to call on people to think out this issue of “violence” and keep in mind that this was PROPERTY destruction, and not PEOPLE destruction like shooting Oscar was. And I want to call on people to keep the high spirit of ALL THE FORMS OF PROTEST AND RESISTANCE we were a part of today and tonight, and not to feed those who chose to destroy property of individuals to the wolves. We should seize the opportunity to talk among ourselves about the difference between someone breaking the windows of a City Hall or BART headquarters or a cop car, and someone breaking the windows of small restaurants and stores. We should use this as an opportunity to teach that breaking the windows of the cars of individuals doesn’t really send the message we want to send. But lets not feed those people to the wolves. OK? We have youngsters and noobs in our midst. I don’t wanna treat them like “agent provocateurs” [ http://www.answers.com/topic/agent-provocateur ] unless they actually are and in the meantime, we need to embrace them and teach them.

Yeah, I’m kind of responding there to some specific things I heard out of some particular mouths tonight, but it’s important.

The news was also showing things I saw myself but didn’t have the camera to record – a young black man lifts his shirt to bare his chest to the police and yells to shoot him now. And that young woman who said, “We live our lives in fear and tonight we want them to be afraid!” How many did she speak for?

there will be more.....

Wednesday, December 17, 2008

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yo vengo de un pueblo sin fronteras

Arnoldo Garcia

yo vengo de un pueblo sin fronteras
soy africano
soy palestino
soy pure'pecha
con destino a la liberacion natural.
soy mexicano
soy hasta chicano
negro de raices huastecas
mestizo con raices mundiales
he cruzado mares y olvidos
he hundido arados en el vientre de la tierra
plantando semillas y esperanzas
cultivando corazones y alabanzas
ningun humano es inmigrante
ningun humano es minoria
ningun humano es indocumentado
ningun humano es ilegal
somos todos ciudadanos
o somos todos indocumentados
somos todas juntas
o somos todas rebeldes

mi piel es el color de las tierras
mi lengua son los rios y los mares
hablando palabras cristalinas
cantando lluvias y huracanes
soy fragil como un otonyo
soy la primavera que nada ni nadie puede detener
soy jornalero de los horizontes
costurera de la ternuras humanas
campesino del amor a las raices y los abrazos profundos
contesto todas las llamadas de la libertad
y solo me gusta provocar la risa
para desafiar a las puas del odio
todas las fronteras son inalambricas
todas las fronteras son virtuales
la tierra no tiene fronteras
tiene esa enfermedad de humanos
que padecen la enfermedad de la propiedad privada
padecen la enfermedad del color de su piel
padecen la enfermedad del genero hombre macho
somos un pueblo que trastorna fronteras
somos un pueblo que nacio en milpas y limpia rascacielos
somos un pueblo que sabe labrar tierras y curar enfermedades
Yo vengo de un pueblo sin fronteras

Photos by arnoldo garcia, hands of young writers

Tuesday, December 02, 2008

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Another Offering for a Peaceful East Oakland

I stopped yesterday morning by another street sidewalk altar on East 55th Avenue. A small rememberance for a young life? How did the young man -- I speculate, for all I know the altar honors an church elder -- die? A bullet? Rare , fatal disease? A car accident? How is his/her death affecting his/her siblings, parents, friends, the neighborhood, the community? The altar the death represents hits me; black and brown youth take it out on each other and our present and future diminishes.

The evening before I was driving by and there was a gathering of young people, their backs to street. I knew what was going on. So on my way to work I stopped to see their offerings.

Drive-by shootings and killings are memetic, they infect the survival mode with violent, irrational motives and hunger for revenge.

Power grows out of a barrel of gun, Mao declared. Powerlessness pulls the trigger, powerlessness over one's destiny and the attempt to impose it over others. Losing a loved one to violence is devastating, a black hole that attempts to suck everything of life into it and drown the days, the dreams. Anything having to do with hope, optimism, becomes an ordeal.

Black on black violence, brown on brown violence, the young feeding off the young, the old alone and unheard. Mourning spews out of the barrel of gun.

A bullet hole dominates the horzion.
I have a bullet hole in my heart.
I have bullets for eyes.
I have bullets for words.
I have pulled a net of bullet holes over the sky.

The horizon is reddening with the madness of fast food, drive-in's, drive-by's, prostitutes who are teenagers, drug dealers fresh out of middle school; gangbangers that stick up for each other and threaten anyone who offends their onion paper thick sensitivity. Gangbangers that stick up the local tienditas that sell everything we need at inflated prices.

I have spent shells for music.
Useless conch shells that call out to deaf gods and ancestors
Empty cartridges that have opened bloodied eyes on the bodies of another young man
Spent shells that wll never hang on a gold chain to revere a revolution.

We do not honor the living until they are dead. The youth honors each other on the sidewalks after it's too late. They make pledges out of fear; they are marked.

The odds have always been against us. I never thought I'd live to be this old. Neither do my children and their friends. What is this that U.S. capitalism makes us fulfill it's own branding, its own consumer rush to powerlessness through things?

The gun is the ultimate rush. Those with power and control have guns at their disposal -- either on their side or in their police forces, army and other institutions and agents of coercion.

In parts of Oakland, the police force is replaced by the deadly force of an empty economy, an economy that fuels predators and informal economies of scale: the body of a girl or a young/old woman for sale, the small-time pusher in marijuana and other intoxicants.

Day laborers who are solicited for yard/landscaping work, construction, clean-up, and sex. There are the mini-empresarios, the street vendors who sell snacks, tamales, coffee, pan dulce, grilled maize (corn on the cob), tacos, home-made goat cheese, quilts, clothes, ice cream, sodas, and other utensils.

They/we live and work, they/we smile and grow, side by side with the homeless, the small family-owned stores, gas stations, sidewalk sales. They/we say with their/our bodies, their survival work:

We are here and we matter, we belong here and here we will stay, thrive or struggle withut bitterness or rancors, with our way of happiness.

We all want to push away poverty. Even the poor want to end not just their but everyone's poverty. Being poor is not about money -- although having money to pay bills, buy healthy food, get access to culture doesn't hurt!

Being poor is about not having adequate housing, health and access to relevant and quality health care, education and other social services and support that generates livinghood, hope, a different future. I wouldn't mind continue being a migrant farmworker; farmworkers need health care that is conscious of the precarious conditions udner which we toil (pesticides, the physical bombardment the body receives from just working in the fields -- hunching over, carrying heavy loads of produce, the dust, the long hours and longest hours when harvest seasons come; the need for real vacations, breaks out of the sun my granfather would say. He never understood why anyone would want to go sunbathing. Try working 12, 14, 18 hours in the sun and you'll see what he means.

We survive against all odds, but they are not our odds. Someone is literally making a killing off our impoverishments, off our dead youth, off our incarcerated youth and elders, off our crumbling schools, off the Flatlands.

And we honor ourselves and our friends, our sons, daughters, our students sometimes too late.

Through their altars we remember to live differently, love constantly those around us, love one's self too.

Social class analysis calls these social urban clumps the lower strata of the working class. Urban planning and city hall officials and police would call this those who they believe have no dignity, no vision, no power, no will, no plan and subject to us to their plans, their indignity that comes with their power, vision, power, will and demeanor over us.

They forget that we too are Oakland.

The Hills thrive off the Flatlands; they come down for tasty food, sex workers, drugs and gentrify in the process. We drive to the Hills, yet we get profiled as prowlers.

Hills and Flatlands are inseparable in the natural and social worlds.

We live in and occupy different socio-economic strata and spaces, yet we are the offspring of the same socio-economic and political mother. We are blinded by colors, race, genders, social classes, social stratae.

I call this the inability of capital(ism) to absorb us or crush us. We are inside its process, subject to its depradations, yet stand outside of the economic crises, the dot boom-bust, the recession, the banking collapses, the auto bailout. We are affected and unaffected, we are already poor, lack health care, have access to low expectations and machine-age teachers, day laborers all. We make capitalism possible, have made and are making Oakland possible.

We can get poorer, more impoverished, sicker, meet death in any of foreseen possibilities, work full time and yet be homeless forever.

We are cast as the inhumane face of capitalism. Capitalism calls us names, brands us incorregible, imprisonable, exploitable; we are the ugly. Capitalism has no humane face that anyone could be proud of -- in comparison to us, the lower strata, the unplanned, the unemployed/underemployed, the Flatlanders, the toxic wasted sites, capitalism has a prettier face. The chain stores and cafes can hire young beautiful women to sell their addictions; super and everyday models of consumption.

Yet we are a market, we consume, we shop, we flock to the big box stores, when we can afford them, when we have a car to get us there. Or we walk to the local corner stores, go walk to the Fruitvale. Or the street vendors, the mobile little stores, come to us, pass by our apartments and houses, our homes and beckon with poetic calls, bells and songs.

Stop the Violence, How?

When he was Oakland's Mayor, Jerry Brown proposed 100 new cops for Oakland, but mainly for east and west Oakland. The Oakland electorate voted to get the new cops but did not want to pay for them.

Our new Mayor Ron Dellums tried again to get voter approval for 100 new cops.

In the meantime, from every Thursday evening through Monday early morning, at least 100 cops are brought into east Oakland, they prowl Jack London Square, zoom about certain parts of downtown and west Oakland. They stare at young men of color, they pull them over and ticket them, harass them to leave. But, to where?

Saturation policing, racial, ethnic-nationality and religious profiling, cops pulling over young men of color for any slight offense. Other drivers pulled over for being on the cell phone, or making a rolling stop. Check-points eyeballing drivers for color and class.

How about a 100 new jobs in east Oakland and 100 for west Oakland -- stable, lifelong, living wage jobs that make a difference? How about 100 new teachers, 100 new park-n-rec programs, 100 new affordable housing units, 1oo new small businesses, 100 new cultural centers, 100 new chapbooks, posters and magazines featuring the voices and dreams of east Oakland?

How about a 100 poetry readings and writing workshops -- two a week from January 1 - December 31? One concert a week of live music, blues, hip hop, jazz, corridos, cumbias, punk, rock en español, rock-n-roll, metal?

How about building a skate park on the lot that's at 55th and "International," nee East 14th?

We can stop the violence. We have to change the channel, change the numbers, a change of heart, make poetry, bread, style, laughter, community, health and culture in east Oakland, in west Oakland, in Oakland. We can't make much culture when the solution is policing, state violence and coercion, the pressure and pushing out of gentrification.

I am still shocked and in shock of the youth on youth violence, the young who die so young. I have lost friends to violence since I was young. Now that I am older, I still am losing young friends to violence and despair. I mourn the loss of the youth who perished and was honored on 55th.

But the majority of youth are succumbing to gun and other types of violence. They are succumbing to the violence of social and economic policies that have written them off. The violence and despair of little or any living wage job prospects. The standardized violence and despair students learn at the schools and lack of prospects for higher education.

We cannot just be survivors. We have to be strugglers, organizers against state violence, the daily bread of militarism that's got us in a choke hold. We have to live, work, worship, study and play in peace. For that we need a redirection of existing resources. We need hundreds of new things. Maybe we do need a 100 new cops, 100 that live and hope in east Oakland; it's work, too. But we need hundreds of new jobs, hundreds of investors willing to take a risk with the youth themselves, hundreds of spaces where culture, art, elders and youth can sit side by side and enjoy live's longest cycles so that no one perishes in vain.

We choose to live, even when we suffer losses that cause profound pain, seemingly unending, darkness when anyone we love, however old or young, dies.

After I snapped a few photos, even though it was cold, I bought an ice cream cone from Esteban,a peripatic ice cream vendor. It was a crisp, coldish morning.

I asked him how it was going. He said, I'm just getting started. He took off walking down the neighborhood and I got in my car and drove off -- both to work in Oakland.

Sunday, November 23, 2008


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Vladimir Mayakovsky,
pachuco, futurist gang-banger en East Oakland


Mayakovsky
yo me muero por tí
por el amor
por ella que ha vuelto por mí

liberaremos a la naturaleza
la poesía enjaulada en el futuro
donde eres el guardian de la ternura cuata
que sale de nosotr@s l@s que tenemos que morir
para que no muera el amor

; te pongo una exclamacion de hoz ;
un martillo para amartillar tus constelaciones
hacerlas
caracoles
conchas
que
explotan
de
mi
lengua
nahuatlizada
mi ruso calo
mis placas y c/s
mi futurismo enraizado en rebeldías
mi corazon amarillo
que uso de brocha
y mi lenguaje una corbata inutil
para las que no me entienden

Mayakovsky
hijo y bisabuelo mío
migrante de la palabra amor
pachuco de la esquina
con la Lili, la flor xochitl
de futuro enmarañado en la montaña rusa
donde alabo la luz, la sangre y tus rimas eternas
que han renacido en mí
re-encarnado en mi locura por la ternura descontrolada

si me enamoro de ella
con su voz raspada
sobre mi piel tatuajada
mis versos que deshago y destruyo
porque los escribo con la sangre de los que han sufrido
y yo sufro por ellos
para que la sonrisa se instaure como un discurso de victoria
donde las armas se rinden a la poesía
y ella me reconoce
me lleva a ser naturaleza entre sus brazos
llenos de sombras bajo las estrellas
y las serpientes explotan del zacate
serpiente de agua
zumban luz y canto
y nos abrazan que que el viva...

!con safos!

Saturday, May 17, 2008

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Live from AVALANCHA CULTURAL/Cultural Avalanche in Oakland

(May 17, 2008) Here's some photographs from the third Saturday in a row cultural gathering at the Plaza/La Placita that's near the entrance of the Fruitvale BART station in Oakland. The Placita, Oakland, the Fruivale, is all on Ohlone Lands; we give thanks to the Ohlone and our goal is to restore the peoples to their place in the natural world. [Photo of stage at La Placita at the Fruitvale BART station. Mosaic art and bas-relief sculpture by Daniel Camacho, whose artwork adorns the plaza.]

The Avalancha Cultural de la Carpa del FEO (Fandango in East Oakland) was organized by the dynamic trio of headRush (Rosa Gonzalez, Luis Xago Juarez, Simon Hanukai; visit them at: www.headrushcrew.com) with Hector Rangel, who directs Libros, Arte y Cultura (www.librosarteycultura.com/wc.dll?main~bd), a new bookstore that Centro Legal de La Raza helped open at the new Oakland Workers Center, at the corner of 25th Avenue and International Boulevard (formerly East 14th Street!). [Photo left: Shadow of papel picado hanging across the Placita.] headRush organized three Saturdays of street theater and community performance starting on Saturday, May 3, with the theme of the day being PEACE; then the following Saturday, May 10, NO BORDERS. Hundreds of persons were treated to dynamic cultural performances with vision and community grounding.

The third Saturday, May 17, was dedicated to Mother Earth. Here, headRush and others presented street theater at its best made by a truly dynamic and genuine communal interaction including a small march around the block to announce that the program was about to begin. [Photo left: Luis Xago Juarez, member of headRush, bringing performers and audience into a circle to explain the order of the performers and to get us to march into International Boulevard to announce the Avalancha Cultural.]

Everyone started chanting: "Teatro a la Placita Que Vengan Todos, Teatro a la Placita! Theater in the Plaza, Come One, Come All!" then lead by loud drumming we all walked into the sidewalks of International Boulevard and circled around and the show began.

The Avalancha Cultural was organized spontaneity, cultural disobedience, hijas e hijos desobedientes, coming to talk about Mother Earth. That was today's theme: what are we going to do about the environmental-social crisis? How are we going to change the relationship of exploitation between humans over humans and of humans over the natural world? [Photo right: Lakin Valdez, drumming to lead the march into Fruitvale district.]

Energized rappers, poets, and street acting kept the small but spirited audience engaged for over three hours. We started out with a march and walked around the block chanting, momentarily stopping traffic and getting curious stares and generating excitement.

Avalancha Cultural del FEO is cultural disobedience meets civil disobedience: This effort represents community organizing to take over public spaces away from gentrification, away from the violence that the social order spews on us, black on black, brown on brown, yellow on yellow, red on red, white everywhere, we are unplugged, undaunted, and undulating with song, courage and words with deep roots.

We disobey the Prison Industrial Complex of television, malls, rock stars, big box chains on our culture. We disobey the rules and laws that make us inhuman, lose our place in the natural world. We disobey the social class structures: capital over workers, whites over blacks, whites over everyone, individuals over communities, rich over poor, straight over queer, humans over the natural world. We disobey a world where we would be considered and treated as minorities, as illegals, as undocumented. We are different and we want a different world where there is room for everyone, a community of communities.

The program started out with two drummers from the Inter-Tribal Friendship House [photo left] singing the AIM Song (American Indian Movement anthem that was created by an honor song for a young Indian man, Yellow Thunder Heart, who was killed in 1973 by police) and a song for AIM political prisoner, Leonard Peltier, whas already served 30 years from a crime he did not commit).

They were followed by a a youth theater group from AYPAL, an Asian youth leadership organization, that presented a skit, an acto, a drama about the dilemmas facing young people. [Photo right: Papel picado hanging across the sky of the Placita.]

Then after they performed, they were followed by a slew of poets, rappers and musician singing and performing on a cello.

The program ended with an incredible new play about the problems and issues on the social, political and economic roots of pollution and contamination of the natural world.

Rosa Gonzalez [photo left], who introduced the play, said that this so new that the performance was a type of "live rehearsal."

During the play some of the actors would pull out the manuscript and read quickly right before delivering their lines. Probably nobody noticed and thought that it was just part of the play! When the play ended, Rosa than invited all the audience to participate in a dialogue with their neighbors or whoever was sitting or standing next to you about the issues and problems raised by the play.

Then Rosa brought us back together and asked for more audience participation. She explained to us that the theater troupe would perform the play again and that any audience member could shout out: "freeze!" or "stop!" and either join the play or point the problem and a possible solution. As soon as the play began, a man shouted "Stop!" and jumped up to the microphone to say: part of the problem is that we are afraid to talk to one another. Many are shamed by their work or feel they have no power and can't say anything.

So then Rosa instructed the actors to use this feedback to change the play's dialogue and action. This went on for another half hour where audience members would stop the action, either provide insights and join in to replace one actor or another. This included someone taking over the microphone and leading a "takeover" of a newscast and getting arrested.

Another replacing an actor playing someone who was buying and consuming everything and yelling out, "I'm not buying anything anymore. Boycott!" -- even though this particular audience member got many of us laughing almost rolling on the ground, because he was wearing a t-shirt filled with $ signs and diamons!

Contradictions abound but we were all there with the opportunity to submerge ourselves in our own living culture.

The closing was also quite incredible. Hector took over the mike to provide a solution to the exploited Mother Earth actor who was moaning from the pains of capitalism. Hector joined in the drama but calling on another friend to lead the drama in a healing ceremony.

Hector's friend pulled out a large conch shell and started blowing into emitting a calming continuos melody as he circled the actor laying down playing mother earth. As this was happening two others joined in the drama and began massaging Mother Earth to heal her as the voice-song streamed out of the conch-shell.

Then the entire audience spontaneously joined in the ceremony by forming a large circle around the healing ceremony. This was closed by a short explanation of the spiritual and generational dimensions of healing mother earth that starts with taking control of your body and spirit and changing your relations with all.

Here's more of what we saw at the Avalancha Cultural del FEO, Fandango en el Este de Oakland:






Next four photos: AYPAL youth theater group in action.































Members of Tres Santos (left) performing piece on root causes of migration; Muteado (kneeling) acts as a campesino cutting cane.







Marc Pinate, spoken word:





















Performing "Hitch Hiking to Hetchy Hetchy" on cello:


















Desi spray-can graffiti artist creating a piece for the event:











Art work by Daniel Camacho that adorns the columns at both sides of the Plaza/Placita at the Fruitvale BART Station and the mosaic pieces on the ground.